(Gustave Courbet, Bonjour, Monsieur Courbet, 1854, oil paint, The Meetingwas exhibited in Paris at the 1855 Exhibition Universelle, where critics ridiculed it as "Bonjour, Monsieur Courbet". Bruyas did not exhibit The Meeting until he donated it to the Musée Fabre in Montpellier in 1868).

(Jean-Baptiste Greuze, The Laundress, 1761, oil on Canvas, Wachtmeister Family , sold through Christophe Janet Ltd. (New York, New York) to the J. Paul Getty Museum, 1983.)

(Sir Luke Fildes, The Widower, 1876, oil on a canvas, purchased by the Art Gallery of New South wales in 1883.)

(William Bell Scott Iron and Coal, 1855–60, oil on a canvas, provenance is unknown.)

(Jean-François Millet, The Gleaners, 1857, oil on a canvas, 1860 – owned by Belgian landscape painter Victor de Papelen [sic, Papeleu] who bought it for 1,000 francs; 1860 – owned by Alfred Stevens, who paid 2,500 fr.;1860 – owned by Jules Van Praët, Brussels; 1864 – Paul Tesse obtained it by exchanging it for La Grande bergère (Shepherdess and flock) by Millet;1865 – owned by Emile Gavet, Paris;By 1881, collection John William Wilson, avenue Hoche, Paris; his sale at hôtel Drouot, 16 March 1

(Édouard Manet, The Luncheon on the Grass, 1863, oil on a canvas, provenance unknown.)

(Claude Monet, Impression, soleil levant (Impression, Sunrise), 1872, oil on canvas, Musée Marmottan Monet,Paris.)

(Alfred Sisley, View of the Saint-Martin Canal, Paris, 1870, oil on a canvas, Musée d'Orsay.)

(Claude Monet, Woman with a Parasol - Madame Monet and Her Son (Camille and Jean Monet), 1875,oil on a canvas, National Gallery of Art,Washington, D.C.)