(Caravaggio (Michelangelo Merisi),The Musicians, 1595, Oil on Canvas, Cardinal Francesco Maria del Monte, Palazzo Madama, Rome (until d. 1626; inv., 1627); his nephew, Uguccione del Monte, Rome (d. 1626); his brother, Alessandro del Monte, Rome (1626–28; sale, Giardino di Ripetta, Rome, May 8, 1628, as "un quadro di Giovani che catano"); ?Cardinal Antonio Barberini, Palazzo Barberini, Rome (possibly presented to Créquy in 1634); Marechal Charles I de Créquy, Paris (1634–d. 1638; inv.,1638...)

(Velázquez (Diego Rodríguez de Silva y Velázquez), The Supper at Emmaus, 1622–23, Oil on canvas, José Cañaveral y Manuel de Villena, Seville (by 1871–at least 1891); Maria del Valle Gonzalez Moyano, widow Garzón, Seville (in 1899); Dr. Egli Sinclair, Zurich (by 1903; sale, Christie's, London, April 25, 1903, no. 101, for £315, bought in); ["a syndicate of Seville gentlemen" including Manuel de Soto, Zurich, and apparently also Heinemann, Munich, by 1906–at least 1909]; [Gimpel and Wildens...)

(Correggio (Antonio Allegri), Saints Peter, Martha, Mary Magdalen, and Leonard, (Italian, Correggio, active by 1514–died 1534, Oil on canvas, the Fassi chapel, Oratorio of Santa Maria della Misericordia, Correggio (until 1782; church suppressed and painting acquired by Fabrizi); conte Vincenzo Fabrizi (1782–at least 1787); [Giovanni Antonio Armano, Bologna, in 1789; sold to Marescalchi]; conte Ferdinando Marescalchi, Bologna (by 1815–d. 1816; inv., ca. 1816–17, no. 286); Marescalchi family...)

(Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio), The Return from the Hunt, 1505–07, Tempera and oil on wood, Cardinal Urbano Sacchetti, Rome (until d. 1705; inv., 1705, no. 109); his nephew, marchese Matteo Sacchetti, Rome (1705–d. 1743; inv., 1744, no. 49 or 73); his son marchese Giovanni Battista Sacchetti or his son marchese Giulio Sacchetti (from 1743); Thomas H. Hotchkiss, Rome (until d. 1869; his estate sale, Johnston and Van Tassel, New York, December 9, 1871, with 75.7.2, no...)

(Moretto da Brescia (Alessandro Bonvicino), Christ in the Wilderness, 1515-20, Oil on canvas, ?Domenico Vantini, Brescia; ?his son, Rodolfo Vantini, Brescia (in 1826); Luigi Bonomi, Milan; Bonomi-Cereda family, Milan (by 1860–96; their sale, Genolini, Milan, December 14–16, 1896, no. 35, as attributed to Moretto, withdrawn; sold to Lotmar); [Lotmar, Bern, from 1896]; private collection [Cavenaghi?], Milan (by 1910–11); [Jean Paul Richter, Florence, 1911; sold to MMA])

(Nicolas Poussin , Midas Washing at the Source of the Pactolus, 1627, Oil on canvas, probably Cardinal Camillo Massimi, Rome (until d. 1677; inv. 1677, lists "Due quadri compagni, di monsù Pusino, alti palmi 4 e larghi palmi 3: in uno vi è il rè Mida, che si lava nel fiume Patolo [probably the present picture], e l'altro li pastori d'Arcadia"); his brother, Fabio Camillo Massimi, Rome (from 1677); Vincent Donjeux (until 1793; his sale, Lebrun, Paris, April 29, 1793, no. 312, as " quatre...)

(Robert Adam, Adam style, 1777, No medium found, Interior of Home House in London)

(Laurynas Gucevičius, Vilnius Cathedral, 1779- 83, No medium found, Vilnius, Lithuania)

(Thomas Hamilton, Royal High School, Edinburgh, 1831, No medium, Founded in 1128 in Scotland)

(Jacques Louis David (French, Paris 1748–1825 Brussels),The Death of Socrates,1787, Oil on Canvas, Charles-Louis Trudaine de Montigny, Paris (1787–d. 1794); his widow, Louise Trudaine de Montigny, Paris (1794–d. 1802); her brother, M. Micault de Courbeton (1802–at least 1803); by descent to the marquis de Vérac (about 1818–at least 1846; on long-term loan to the Musée de Luxembourg, 1818?–?1864); marquise de Vérac (in 1864); her son-in-law, comte de Rouge (until 1872; his sale, Hôtel Drouot...)

(Pierre Paul Prud'hon (completed by Charles Boulanger de Boisfrémont), Andromache and Astyanax, 1813-24, Oil on Canvas, Pierre-Paul Prud'hon, Paris (1814–d. 1823; his posthumous inventory, March 31–April 8, fol. 13 [April 4], as "Andromaque et Pyrrhus"; his sale, May 13–14, no. 1 as "Andromaque . . ." for Fr 6,000 to Boisfremont; ); Charles Boulanger de Boisfremont, Paris (1823–at least 1824; sold for Fr 8,000 to Laperlier); Laurent Laperlier, Paris (?1824–1867; his sale, Hôtel Drouot, Paris...)

(Achille-Etna Michallon, Waterfall at Mont-Dore, 1818, Oil on Canvas, the artist (until d. 1822; perhaps his sale, 86 rue de Grenelle-Saint-Germain, Paris, December 26–28, 1822, no. 58, as "Cascade roulant sous des arbres, entre des rochers, étude terminée, faite en Auvergne," listed among the works whose medium is "peinte[s] sur papier et collées sur chassis tendus de toile," sold to L'Espine); comte Alexandre-Emile de L'Espine, Paris (from 1822); private collection, Paris; [Didier Aaron...)